LSO Discovery

Free Friday Lunchtime Concert

TODAY'S CONCERT

Louise Farrenc Presto from Trio for Flute, Cello and Piano in E minor
Clara Schumann Nocturne in F major
Teresa Carreño Mi Teresita
Lili Boulanger D’un matin de printemps
Florence Price Adoration
Errollyn Wallen Sojourner Truth

Clare Duckworth violin
Rebecca Gilliver cello
Amy Yule flute
Sophia Rahman piano
Will Bracken piano
Rachel Leach presenter

USING YOUR DIGITAL PROGRAMME

  • Connect to the free hawksmoor WiFi network.
  • Navigate using the menu icon (≡) at the top of the screen.
  • Please set your phone to silent and don't use other apps during the music.

Louise Farrenc (1804–1875)

Trio for Flute, Cello and Piano in E minor

4 Presto

Louise Farrenc was a French composer and pianist who, in her lifetime, was quite famous. At the age of 15 her parents spotted her talent and encouraged it. She even studied secretly at the male-only Paris Conservatoire and later, married a man who supported her music so much that he started his own publishing house. Much of Farrenc’s early music was for the piano but when famous composer Robert Schumann praised her highly in a review she grew in confidence and started writing for larger ensembles. She held the prestigious post of Professor of Piano at Paris Conservatoire for over 30 years – the first woman to do so, and the only woman in the whole of the 19th century. She even argued for and got equal pay with her male colleagues!

Note by Rachel Leach

Clara Schumann (1819–1896)

Nocturne in F major

Clara Schumann is often thought of as a composer who was forced into the shadows after marrying a much more famous composer. In fact, she was a very, very famous world-class pianist in her own right and her composing had to be squeezed into a busy touring schedule and hectic family life (she had eight pregnancies). She stated that ‘women should not desire to compose’ but this is probably a reflection of her frustrations at not being able to devote more time to the craft. This Nocturne in F major is from a collection of piano pieces called Soirées musicales written when Clara was 17. She had not yet married but she had met Robert and was in love with him. Musically, it hints at the great pieces ahead and what might have been if her personal life had taken a different path.

Note by Rachel Leach

Teresa Carreño (1853–1917)

Mi Teresita

Venezuelan pianist, composer, conductor and opera star Teresa Carreño lived a life of almost constant touring. Born in Caracas, the family emigrated to the US in 1862 just after her debut as a concert pianist (aged eight) and within a couple of years she was performing for President Lincoln at the White House. The family moved again to Paris and here she met Gioachino Rossini, Franz Liszt and Charles Gounod, and switched to opera singing many of the famous soprano roles across Europe. During her varied career she wrote more than 75 works. This charming little waltz for piano was written for her daughter Teresita and, after she shifted back to performing piano, was one of her most requested pieces. One of her final public performances was back at the White House for President Woodrow Wilson, what a way to begin and end a career!

Note by Rachel Leach

Lili Boulanger (1893–1918)

D’un matin de printemps

Lili Boulanger was an extremely talented composer and the first woman to win the prestigious Prix de Rome composition prize. Born in Paris into a very musical family, her talent was spotted at age two by family friend, composer Gabriel Fauré. Lili’s sister was the famous composer and composition teacher Nadia and the two attended lessons at the Paris Conservatoire together aged five and ten. Sadly Lili was never in good health and died tragically young at just 24 years old leaving behind just a handful of compositions. D’un matin de printemps (A Morning in Springtime) is one of the most famous and also tragically, the last piece she completed.

Note by Rachel Leach

Florence Price (1887–1953)

Adoration

Florence Price was born in Little Rock Arkansas into a well-respected mixed-race family. Her father was a dentist and her mother was a music teacher. She began piano lessons with her mother at the age of four and composed her first pieces aged eleven. After moving with her husband to Chicago to escape the difficult racial situation of the Deep South, she became the first African American composer to have a piece played by a major US symphony orchestra. Florence Price was not only an African American working during a time of segregation, but she was a woman, working within the very male dominated area of orchestral music. Luckily, she had a very supportive family and came across very good teachers. Price often incorporated Southern African American spirituals into her works thus honoring her own history and she does so beautifully in Adoration written in 1951.

Note by Rachel Leach

Errollyn Wallen (b 1958)

Sojourner Truth

Errollyn Wallen was born in Belize near the Caribbean and brought up in Tottenham, London. She is now one of the most performed composers in the world. She was the first black woman to have a piece played at The Proms, the first woman to win an Ivor Novello award, and, earlier this year, the first black woman to be appointed Master of the King’s Music. Sojourner Truth (1797–1883) was an abolitionist and activist from the US. Born a slave and sold at the age of 13, she escaped in 1826 and walked to freedom. She even managed to successfully sue her white captor to recover her son. After this she devoted her life to women’s rights. Wallen was commissioned by violinist Madeleine Mitchell in 2021 and chose a slave song The Crossing to base the piece on. In an interview in 2022, Wallen stated that she just wanted Sojourner’s name to come back into the light. Even if no one ever plays the piece, her name will forever be proudly on it.

Note by Rachel Leach

About the Artists

Clare Duckworth violin

Clare Duckworth studied with Richard Deakin at the Junior School of the RNCM and Mateja Marinkovic and Hugh Bean at the Royal Academy of Music. Having been lucky to receive fantastic training in the National Children’s Orchestra, National Youth Orchestra of Great Britain and European Union Youth Orchestra, all of which she led, Clare went on to hold jobs with the Orchestra of the Royal Opera House, the London Philharmonic (Co-Principal Second Violin) and the Royal Philharmonic (Principal First Violin) before joining the LSO as Sub-Principal First Violin in 2014.

She has coached the violin sections of the NYO, the EUYO and London’s RAM, RCM and GSMD, and served for three years as one of the LSO’s Vice Chairs. When not performing, Clare can usually be found in a book shop, art gallery or up a hill, either at home or (with a bit of luck) abroad.

Rebecca Gilliver Cello

Rebecca Gilliver studied at the Yehudi Menuhin School and the Royal Northern College of Music, where her teachers included Melissa Phelps, Moray Welsh and Ralph Kirshbaum. She also spent a year studying mainly contemporary music with Thomas Demenga in Basel. Originally joining the LSO as Co-Principal in 2002, Rebecca became Principal in 2009. Rebecca has played extensively as a recitalist, including at the Wigmore Hall and Carnegie Weill Hall. As a chamber musician, Rebecca has played and recorded with major artists such as the Nash Ensemble, and is a regular participant at IMS Prussia Cove. A professor at the Guildhall, Rebecca has also given classes at the Royal Academy and Royal College, amongst others, and runs her own cello course, The Dorset Cello Classes. She is a regular coach at Alpinekammermusik and the Aboyne Cello Festival. Recently, Rebecca has formed a local music outreach initiative, Worlds End Music, bringing together her local community with professional musicians living in the area.

Amy Yule flute

Amy is the principal flute of the Hallé Orchestra, having previously held the same position with the Royal Northern Sinfonia and appeared as guest principal with orchestras such as the Philharmonia, London Philharmonic, and London Symphony Orchestra. A soloist and chamber musician, she won first place in the British Flute Society’s Young Artist Competition in 2017 and regularly performs with pianist Seungwon Lee, with highlights including recitals at Wigmore Hall and St John’s Smith Square. She completed her Master's at the Royal Academy of Music in 2017, graduating with distinction, multiple awards, and scholarships, and has worked with young musicians at institutions such as Leeds College of Music and the National Youth Orchestra of Great Britain.

Sophia Rahman piano

Sophia Rahman has recorded piano concertos with BBC National Orchestra of Wales, the Scottish Ensemble and has made around forty chamber music discs.

Sophia has appeared in recital with musicians such as cellist Steven Isserlis and other distinguished performers including tenor Mark Padmore and violinist/violist and conductor Andres Kaljuste. She is the Artistic Director of Whittington Festival in Shropshire, UK.

Sophia has coached at top Scandinavian music schools and designed a course for young Estonians at the Arvo Pärt Centre, where she regularly appears as a recitalist. Also known for her work as a class pianist, Sophia has played for Steven Isserlis’ class at IMS Prussia Cove since 2011. Her interest in this field began as a class pianist for the legendary William Pleeth at the Britten-Pears School.

After early tuition with Antonietta Notariello, Sophia studied at the Yehudi Menuhin School under Peter Norris, with guidance from Vlado Perlemuter and Louis Kentner.

She took a first-class honours degree in English from King’s College London and continued her studies at the Royal Academy of Music with Alexander Kelly and Malcolm Martineau, winning the Royal Overseas League’s collaborative and chamber music piano prizes in consecutive years.

Will Bracken piano

Will Bracken, a Wirral-born pianist, is highly sought after as a recitalist, concerto soloist, chamber musician, and teacher. Winner of numerous awards, including first prizes at the 2022 Liszt Society International Piano Competition and the 2023 Euregio Piano Award, he has performed at major venues such as Wigmore Hall, The Barbican, and Carnegie’s Weill Recital Hall, where he was praised for his 'courage, stamina, and musicality in abundance' (The Telegraph). Currently pursuing an Artist Diploma at the Guildhall School of Music and Drama, where he also teaches, William has worked with leading musicians such as Stephen Hough and Dame Imogen Cooper and has attended prestigious programs such as the Aspen Music Festival. Known for his diverse repertoire, he also explores jazz and classical improvisation in his performances.

Rachel Leach

presenter

© Kevin Leighton

Rachel Leach was born in Sheffield. She studied composition, and her music has been recorded by NMC and published by Faber. She has won several awards including, with English Touring Opera (ETO), the RPS award for best education project 2009 for One Day, Two Dawns.

Rachel has worked within the education departments of most of the UK’s orchestras and opera companies. The majority of her work is for the London Symphony Orchestra and the London Philharmonic Orchestra. Rachel has written well over 20 pieces for LSO Discovery and 15 community operas, including seven for the English Touring Opera.

Increasingly in demand as a concert presenter, as well as presenting the LSO Discovery Free Friday Lunchtime Concert series, she regularly presents children’s concerts and pre-concert events for the LSO, LPO, Philharmonia Orchestra, Scottish Chamber Orchestra, Royal College of Music and Royal Northern Sinfonia.

Rachel Leach

© Kevin Leighton

© Kevin Leighton

Next Friday Lunchtime Concert

Friday 14 February 2025

Our next Friday Lunchtime Concert performance will take place at St Bartholomew the Great. We look forward to seeing you there!

LSO Musicians
Rachel Leach presenter

Stay up to date with the LSO

We're closing our doors from the end of November, and for much of 2025, for a programme of works that will transform LSO St Luke's for the future.

While we're closed, we'll be working to improve our amenities and acoustics, make our venue more accessible, support our growing programme, and reach more people than ever before. We can't wait to welcome you back when we re-open in Autumn 2025 – but until then, you can catch our final events of the year, hear the LSO at the Barbican, and experience a range of LSO Discovery events 'on tour' at venues throughout London.