LSO Discovery

Relaxed Friday Lunchtime Concert
Friday 17 March 2023 12.30pm

TODAY'S CONCERT

Samuel Coleridge-Taylor 'Allegro' from Four African Dances for violin and piano
Sergei Rachmaninoff arr Anatoliy Brandukov Vocalise 
Clara Schumann 'Andante' and 'Allegretto' from Piano Trio

Sarah Quinn violin
Laure Le Dantec cello
Sophia Rahman piano

Rachel Leach presenter
Angie Newman BSL interpreter

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Samuel Coleridge-Taylor (1875 to 1912)

'Allegro' from Four African Dances for violin and piano

✒️ 1904 | ⏰5 minutes

1 Allegro

Samuel Coleridge-Taylor was born in Holborn, London. His mother was a white English woman and his father, a medical student, was from Sierra Leone. During his short life, Coleridge-Taylor achieved considerable fame, touring America and even meeting President Roosevelt. Despite the huge success of his epic The Song of Hiawatha, he didn’t earn much money from his pieces and had to scrape a living as conductor and adjudicator at amateur music festivals. The 'Four African Dances' were composed in 1904. They were written for his friend, violinist John Saunders, and the two often performed them together. Stylistically, they are very much of the Romantic era. Like much of Coleridge-Taylor’s music, the dances have been out of print for decades but are now finally coming back to the public’s attention, where they belong.

Note by Rachel Leach

Sergei Rachmaninoff (1873 to 1943)

Vocalise arranged by Anatoliy Brandukov for cello

✒️ 1915 | ⏰7 minutes

The name of Sergei Rachmaninoff is most closely associated with large scale, passionate symphonies and terrifyingly difficult music for the piano, but he was also a great songwriter and it is from his songs that one of his most beautiful melodies came. Vocalise was the final song in a collection for voice and piano from 1912. It was written for soprano and was to be sung on one vowel of the performer’s choosing. This short piece has become one of Rachmaninoff’s most famous compositions and now exists in many different versions. An unsettled pulsing piano accompaniment, uneven phase lengths, a melody that constantly twists rarely coming to a halt, and a tiny semiquaver ‘turn’ are what make this piece so arresting.

Note by Rachel Leach

Clara Schumann (1819 to1896)

'Andante' and 'Allegretto' from Piano Trio

✒️ 1846 | ⏰13 minutes

3 Andante
4 Allegretto

This trio is considered to be Clara Schumann’s masterpiece, although as she wrote it she was going through some personal difficulties. Her husband, Robert, was ill and the couple were convalescing. Clara was also suffering with a difficult pregnancy; her fourth, which ultimately ended in miscarriage. Much of her sadness is expressed in the beautiful and bittersweet third movement which we will hear today. Afterwards, in the finale, Clara treats the three instruments as equals and ideas are passed around as if in conversation. Clara wrote the piece with her own performing group in mind so she can be forgiven for perhaps giving the most interesting material to the piano (i.e. herself!). A year later in 1847, Robert completed his piano trio and there are many similarities between the two works.

Note by Rachel Leach

About the Artists

Sarah Quinn
LSO second violin

Born in Dublin, Sarah Quinn began playing the violin at the age of eight. Keen to pursue a career in music, she moved to London to study at the Royal College of Music, where she was the recipient of many awards and prizes. Whilst a student at the RCM, Sarah was awarded a place on the LSO String Experience scheme. Sarah joined the LSO in 1998 having graduated from the RCM with distinction.

In addition to her busy schedule at the LSO, Sarah is in demand as a teacher and regularly tutors at the RCM, Royal Academy of Music and Guildhall School of Music and Drama. She has also worked extensively with youth orchestras and is passionate about working with young musicians. Sarah is regularly involved with all aspects of LSO Discovery, working in schools and in the community. Sarah has also served as a Director on the Board of the LSO.

Sarah Quinn

Laure Le Dantec
LSO cello

Laure Le Dantec was seven when she started playing the cello. After studying with Marc Coppey and Raphael Pidoux at the Conservatoire Supérieur de Paris, she began her studies at the Paris Conservatoire at the age of 16. There, she spent five years learning with Jérôme Pernoo and passed her Masters Diploma with the highest distinction.

Already very interested in symphonic repertoire, Laure moved to Amsterdam to be part of the Royal Concertgebouw Orchestra Academy for the 2014/15 season, and the year after travelled to Berlin, where she performed with the Berlin Radio Symphony Orchestra for one year. During this time, she continued her studies and started a second Masters course at the Hanns Eisler Music School with Troels Svane.

Laure is also passionate about chamber music and plays in ensembles of all sorts with the Camerata RCO, formed by players in the Royal Concertgebouw Orchestra of Amsterdam, and performing in festivals in Italy, Spain, France, Netherlands, Russia, Colombia, Canada and even Hawaii.

Laure Le Dantec

Sophia Rahman
piano

Sophia Rahman has recorded piano concertos with BBC National Orchestra of Wales, the Scottish Ensemble and has made around forty chamber music discs.

Sophia has appeared in recital with musicians such as cellist Steven Isserlis and other distinguished performers including tenor Mark Padmore and violinist/violist and conductor Andres Kaljuste. She is the Artistic Director of Whittington Festival in Shropshire, UK. 

Sophia has coached at top Scandinavian music schools and designed a course for young Estonians at the Arvo Pärt Centre, where she regularly appears as a recitalist. Also known for her work as a class pianist, Sophia has played for Steven Isserlis’ class at IMS Prussia Cove since 2011. Her interest in this field began as a class pianist for the legendary William Pleeth at the Britten-Pears School. 

After early tuition with Antonietta Notariello, Sophia studied at the Yehudi Menuhin School under Peter Norris, with guidance from Vlado Perlemuter and Louis Kentner. 

She took a first-class honours degree in English from King’s College London and continued her studies at the Royal Academy of Music with Alexander Kelly and Malcolm Martineau, winning the Royal Overseas League’s collaborative and chamber music piano prizes in consecutive years.

Sophia Rahman

Rachel Leach
presenter

© Kevin Leighton

Rachel Leach was born in Sheffield. She studied composition, and her music has been recorded by NMC and published by Faber. She has won several awards including, with English Touring Opera, the RPS award for best education project 2009 for One Day, Two Dawns.

 Rachel has worked within the education departments of most of the UK’s orchestras and opera companies. The majority of her work is for the London Symphony Orchestra and the London Philharmonic Orchestra. Rachel has written well over 20 pieces for LSO Discovery and 15 community operas, including seven for ETO.

Increasingly in demand as a concert presenter, as well as presenting the LSO Discovery Free Friday Lunchtime Concert series, she regularly presents children’s concerts and pre-concert events for the LSO, LPO, Philharmonia Orchestra, Scottish Chamber Orchestra, Royal College of Music and Royal Northern Sinfonia.

Rachel Leach

© Kevin Leighton

© Kevin Leighton

Angie Newman
BSL interpreter

Angie Newman has worked extensively across music and deaf education for many years. Her knowledge and expertise in these areas, combined with her skills as both a British Sign Language interpreter and a musician, enable her to make music more accessible to young deaf people and adults, bridging the worlds of deafness and music, something she feels passionate about.

She has worked for six successive years with the BBC interpreting family Proms, including CBeebies Proms. She works with a variety of leading orchestras in the UK, including the London Symphony Orchestra, London Philharmonic Orchestra, Philharmonia Orchestra and many others, interpreting for their education and community programmes. Angie loves to relax by walking, cycling, playing the piano and violin, and practising yoga. 

Angie Newman

Your Feedback

Thank you for joining us for this Relaxed Lunchtime Performance.

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Next Friday Lunchtime Concert

Friday 31 March 12.30pm

James Batty Half the Story (world premiere)
Vivek Haria Ennui
Zhenyan Li Hide and Seek (world premiere)
Mathis Saunier Lava_Cycle (world premiere)

Juliana Koch oboe
Chi-Yu Mo clarinet
Joost Bosdijk bassoon

Next Relaxed Performance
Friday 12 May 12.30pm

programme and performers to be announced